Best Professional Recording Studio Equipment – When building a digital home recording studio your computer is the first piece – the platform from which everything else will connect and work. The most important thing is running; quickly manage large projects; speed of use of software and audio interface; the speed to ensure that you are not worried about lag or waiting on your computer to catch up between recordings.

If you are looking to invest in your computer home recording studio here is what you need to know.

Best Professional Recording Studio Equipment

A larger desktop computer can allow for greater processing power, which means you’re getting faster speeds and increased storage. Desktop computers usually have a place for more inputs and outputs than laptops, which allows them to be more complex without having to do additional hubs or external ports, while an additional room also opens the door to important adjustments when it comes to RAM, hard drives and video cards. .

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Your audio interface is the connecting piece of equipment that bridges the gap between audio production gear and recording, editing and mixing software. As a transport box it is where you put the microphone, speakers and headphones.

The number of preamps dictates the number of microphones you can record with at once. For vocals there is a chance that you only need one preamp. To record drums or multiple instruments at the same time probably four preamps will be necessary.

Whether it’s XLR, 1/4” or RCA, it’s important to make sure your monitor and speaker outputs match.

This is necessary to connect headphones to your audio interface, and it allows you to listen to the best information while recording.

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If your home recording studio is in its infancy with one or two mics it should cover all bases. Choosing the right mic for you comes down to the instrument you plan to record.

Generally speaking, condenser mics are best suited for high frequency instruments such as acoustic guitars, cymbals and pianos. While mics work well with high frequency instruments such as drums and electric guitar.

When looking for flexibility and quality in a large-diaphragm board, a cardioid condenser mic is your best bet. It’s ability to pick up low frequencies, focusing only on the sound in front of it, and its ability to pick up high frequencies makes it all-rounder.

For electric guitar, however, the best mic to start with is the Shure SM57, which has a good reputation for recording guitar amps.

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Studio monitors should play back and mix your recordings. These are designed for listening to recorded music, with a smooth response that doesn’t over-amplify and increase the dynamics of your track – an important factor when you’re trying to make informed decisions about your mix.

While you can use headphones for this category for home recording, studio speakers provide a better sonic perspective for mixing your music.

Active studio monitors have in-built speakers, while passive studio monitors require a separate power amp to operate. When it comes to starting your home recording studio, the less equipment the better.

Near-field studio monitors are suitable for covering rooms, such as a home studio. Mid-field and far-field monitors, on the other hand, are built to be a greater distance from your ears, and therefore require more space to operate.

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Along with your studio monitors, headphones are the way to listen back and work on your recordings. And in the neighborhood of the home studio, give the opportunity to work at all hours of the day and night, without causing a neighbor-annoying racket.

Closed-back headphones provide enhanced isolation while sacrificing some sound quality – perfect for tracking. The opposite goes for open-back headphones, which offer increased sound quality and less isolation.

It’s a luxury worth having both, but if you can only choose one, the isolation that comes with two closed-back headphones is the way to go.

The digital audio workstation is the software that brings your home recording studio to life. The all-in-one tool will allow you to record, play back, mix and master your recordings all the way to completion.

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This comes down to personal choice, but here are a few of the most popular DAWs on the market:

Logic – comes with a large library of sounds and plugins and is user-friendly, but only compatible with Mac. Editor’s note: After an unexpected hiatus, Mac setups are back! We’re a few weeks behind schedule but don’t worry, we’ll catch up! And of course you should continue to send us performance shots and information… Good enough to rush, let’s get to it….

This week’s featured Mac setup is the amazing home recording studio of Steve Steele, a professional filmmaker, musician, and bandleader, with some beefy Apple gear and lots of great music equipment. This isn’t your average recording studio, there’s better music gear and hardware here than you’ll find in most professional studios, so let’s dive in and learn a little about this Mac setup:

The harvest of films. MIDI orchestration mockups. Music is a tool for tracking, engineering and design. Video editing mainly for YouTube channels. Web development. Part time Macintosh IT consultant.

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Mac Pro (2009) with updated 5.1 firmware. The Nehalem 2 x 2, 26GHz CPUs have been switched to two hex core Westmere X5690s for a total of twelve-cores running at 3, 46GHz. Other features include 64GBs of OWC RAM. An OWC 480GB Accelsior PCIe SSD card

. A Sonnet Tempo Tempo SSD Pro Plus 6Gb/s eSATA / SATA PCIe with two 2.5” SSDs. The Sonnet Allegro Pro USB 3.0 PCIe card. (3) internal OWC Mercury Extreme SATA SSDs, 3TB Toshiba HDD Time Machine Drive and BlueRay optical drive. This MacPro is my Vienna Ensemble Pro 5 slave MacPro. All SSDs handle orchestral samples. No other third party programs are installed. One OWC eSATA dual HDD enclosure with two 3TB HDDs for Carbon Copy Cloner backups.

Mac Pro 3, 1 (2008) 2 x 3GHz Xeon 8-core. 32GBs RAM. Samsung 840EVO 500GB boot SSD. (2) Samsung 250GB 830 SSDs in RAID 0 for orchestral audio samples (installed in the lower optical bay). (2) Samsung 250GB 840 SSDs in RAID 0 for orchestral samples. A 3TB Toshiba HHD for Time Machine drive. OWC eSATA card. One of the OWC eSATA dual HDD enclosures with two 3TB HDDs for Carbon Copy Cloner backups. Digital Performer, Sibelius, FCPX and Photoshop are the main applications, but this MacPro also serves as my internet computer, and also hosts the Vienna Ensemble slave MacPro.

(Note, there is a third MacPro that you can’t see in the picture that I just bought and plan to integrate into my Mac Pro farm, but it’s not listed here).

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It all started with my obsession with all things Mac and my music degree. I chose high-core to count Xeon MacPros because my three main applications (Digital Performer 9, Vienna Ensemble Pro 5 and Kontakt 5), take full advantage of the expansion and the requirements put on computers in MIDI orchestration film scoring rigs, each CPU core. and the number of threads required, as is the maximum memory required (48GBs to 64GBs per machine is usually my minimum requirement and the requirement is increasing).

What programs do you use most often? What programs can’t you do without? Do you have a favorite app for Mac or iOS?

For OS X, my favorite app is Digital Performer. I couldn’t live without Terminal and Activity Monitor. But I also really like Vienna Ensemble Pro, MIR, Kontakt, DSP-Quatro, iZotope RX Advanced, Sibelius, Screenflow, FCPX, Motion and an obscene amount of instruments, sample libraries and plugins.

For iOS, my favorite app is GuitarToolKit because of its flawless features, but I also use many apps in my daily commute including AmpKit, DP Control, V-Control, Garageband, Alchemy, iProphet, iRealPro, ProCam 2 and XL, Pages, Numbers, Evernote , Fing, and Youtube Studio.

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All Mac users should spend time familiarizing themselves with using Gestures, multiple desktop locations, and keyboard shortcuts, and Terminal and Activity Monitor (keep Terminal and Activity Monitor open at all times in a separate desktop area and then use the control key-right arrow or left arrow key, or use the shortcut swipe gesture on the Magic Track Pad or Magic Mouse to easily view the desktop). iMac, MacPro and Mac Mini users should have the Magic Trackpad and if it doesn’t interfere with their Magic Mouse gesture-only functionality (beware of latency with the Magic Mouse under heavy OS X loads).

For users with very large files, or a group of files that come close to filling the RAM (this happens to me with my orchestral template even though I have 64GBs of RAM), do not hesitate to use the Terminal command “sudo purge”, to delete the memory cache and protect the OS from moving compressed data to disc. Although OS X does a good job of managing memory on its own, users who push over 80% of physical memory regularly with just one or two apps should get into the habit.

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