Vermont Home And Garden Show

Posted on October 4, 2025 by writer

“The Old Man,” which premieres Thursday on FX, is slowly revealing its secrets — slower than I am, if you want to turn to the sports side. For a while, we might be watching the story of a small-town Vermont widower playing with his dogs, talking to or texting his daughter, distant and invisible, worried about the possibility of cognitive decline. His dead wife visits him in a dream. Old man, indeed. But suddenly the cans are strung together, forming an alarm, a gun and a fight. We eventually learn that Dan Chase (Jeff Bridges) is a man with a past and that the essence of this story is that the past, buried for decades, will soon catch up with him – at the peril of the past.

Vermont Home And Garden Show

Chase is about to leave Vermont, which lands him at the door of Zoe McDonald (Amy Brenneman), a divorcee he rents a room from and who will be in this story for a while, maybe forever. (Hitchcock went this route often.) That’s clear from the official trailer, if we’re talking spoilers, which also promises international intrigue. It’s also clear that Chase is some kind of master agent who won’t be pulled back from wherever he came from. (“If you send me any more,” he announces, “I’m sending back in sacks; anyone you send on my baby, I’m sending back in pieces.”) Accompanying his flight is Harold Harper (an extremely restrained John Lithgow), the assistant director of the FBI, with whom he has history (the series could probably be called “The Old Men”); Lithgow’s sidekick, Agent Angela Adams (Alia Shawkat – “like you’ve never seen her before,” I want to say), who seems like a force for good; and Agent Raymond Waters (E.J. Bonilla), who could be a force for less good.

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Developed by Jonathan E. Steinberg and Robert Levine based on, but not limited to, the book by Thomas Perry, the series moves some of the novel’s ancient history from Libya to Afghanistan, when it was under Russian occupation. (Both Bridges and Lithgow have well-cast younger counterparts, Bill Heck and Christopher Redman, respectively.)

But such details, while impressively realized and driving today’s plot, are also less important than what’s happening to Chase, or whatever Chase is currently going through. While there are at least some delicious twists and turns, what promises to be a convoluted plot is mostly needed to create an ebb and flow of danger to give the hero something to kick against.

I can’t say that every plot point, even in the four episodes available for review, made perfect sense, but on the other hand, nothing got in the way of the smooth flow of the action. This is a car that drives so well that potholes don’t bother you.

Indeed, the elements here are not entirely unfamiliar in themselves, and “The Old Man” succeeds by focusing on the character and the relationships between the characters – this is a horror film with a richer emotional base than usual – and making sure that everything is done to perfection; the series is finely turned like a Japanese vase.

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With the opening two episodes directed by Jon Watts (“Spider-Man: Homecoming”), “The Old Man” succeeds with elegant understatement, from the cinematography to the acting, not doing too much, not telling you what you feel or even always who to trust. The soundtrack is limited to occasional sad stanzas; the action sequences are unencumbered by music and are brutally realistic and realistically brutal for the genre, and Chase doesn’t walk away unscathed.

The leisurely pace of the series’ bucolic opening is maintained as the adventure unfolds; the scenes unfold slowly, allowing you to get to know the characters and help you understand the relationships. And yet there is almost nothing foreign. The dialogue says exactly what it needs to without ever feeling skimpy; and when the character occasionally goes off on a gaudy tangent, or the production feels self-consciously artistic—as when Joel Gray’s former higher-up tells Harper he read his obituary in the New York Times while he’s painting a picture in an otherwise empty mansion room, the scene just from Orson Welles – his aim is at least high.

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“There’s a villain in every story—no one ever sees themselves as playing that role,” Zoe will say when talking about her failed marriage, though that thought should be applied to Chase, whose actions don’t necessarily line up with what most he would consider everyday, ethical behavior from us. (Whether they are moral is another question.) We understand from his own words that he has done dark things, but Bridges is so obviously a hero that the moral world is reshaped around him, shaped by his needs and desires.

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The performances are all flawless, from the leads to the well-rounded supporting cast (Grey in what amounts to a cameo, and when we see Harper’s wife, the great Jessica Harper).

But this is Bridges’ show. When the story leaves him for too long, you’re itching for his return. His authority is not obscured by time; if anything, it shines brighter. He’s an actor who would have thrived in any era of filmmaking—he’s lived through quite a few—a movie star with real chops, comfortable in both arthouse films and popular entertainment, a leading man who’s still handsome and entirely believable as an action hero. into which circumstances change it.

Chase is a superhero only in the sense that he has a gift for making the best of a situation (chronically underestimated by his enemies, of course), but he has his usual human side. He cooks. He’s having a bad dream. And he loves his dogs.

Receive our L.A. newsletter. Goes Out with the best events of the week to help you explore and experience our city. Mad River Valley architect David Sellers talks about the Tilt-Up House, an affordable concrete house he sold to a young family for $200,000.

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The 2022 HGTV Dream Home is in the Mad River Valley, and the house and other items in the prize package are worth more than $2.4 million.

The Home Design Channel is giving away a newly constructed, fully furnished home in Warren. The prize package includes a 2022 Jeep Grand Wagoneer and $250,000 from Rocket Mortgage.

The HGTV Dream Home Contest entry period begins at 9 a.m. Tuesday, Dec. 28, and runs through 5 p.m. Thursday, February 17 at HGTV.com/HGTVDreamHome. Viewers can watch the hour-long special “HGTV Dream Home 2022” at 8 p.m. Saturday, January 1, and stream on Discovery+ starting Sunday, January 2.

This is the second HGTV Dream Home built in Vermont. Dream Home 2011 is in Stowe.

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“It’s not just a TV show,” said Dylan Eastman of Keene, New Hampshire, who oversaw construction of the Warrens’ home. “We’re really trying to think about who’s going to live here and how they’re going to use the house and make the house work the way it should.”

The home is about a mile and a half from Sugarbush Resort and has the look and feel of a “classic Scandinavian cabin,” says Brian Patrick Flynn, who oversaw the home’s design and led the Burlington Free Press on a virtual tour Friday. buildings.

The home resonates in Scandinavia, Flynn said, because HGTV knows its viewers love that design style. Scandinavia is known for its “black huts” and Flynn said there are many social media accounts devoted to the subject.

That’s not the only impact on the home, according to Flynn, who lives in Atlanta. “We took the classic Vermonter li
festyle into account,” he said. “If we could, we wanted to add things that were local.”

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Crews went to locations including Stowe and Williston to find the antiques. Flynn said the home has an “active lifestyle,” including vintage skis that line the wall and old snowshoes that adorn the “giant” second-floor owner’s bedroom, a high-ceilinged room with wood beams and skylights. windows.

“We want the house to fit the local culture and geography in the best possible way,” Eastman said.

Flynn said the three-bedroom, three-bathroom “luxury lodge” has a semi-heated pool and outdoor fire pits. The home features mountain views and details including mossy green cabinets that reflect the surrounding nature, custom ski lockers and toothbrush holders that come with toothbrushes.

The house was partially inspired by the classic A-frame of the Northeast, albeit with higher ceilings that avoid the cramped attic space that A-frames typically have. Eastman said the variety of influences helps the home feel like a classic New England house that’s been added to over the years. He called

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